My inspiration came from my time spent in Jaipur surrounded by heat, sometimes warmth of the city. The giant burnt hills of Aravali that encircles the surrounding. The culture, my lifestyle here which on some days are chaotic, restless and some days it's quite and peaceful.
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Dincharya, 2025
The work was an exercise to create self awareness over the number of transactions I have gone through on a personal level living in a new city and the journey has unraveled new opportunities, experiences and memories.
It is a depiction of my habitat with bold reds referring to the climate, the reference through the motifs like my window denominations the constants from my daily life.
Material interaction also played a part in the artwork with the use of cotton fallen from the tree in my college's parking lot. The homely objects like torn fabrics, used - unused yarns and ropes.
Kabaad, 2025
Kabaad, is fouced on another aspect of my existence in the city, as the waste disposed on a daily basis becomes an evidence of my habitat.
How we leave traces of our existence and lifestyle. (Pile of delivery bags and packets of processed and packaged food, accumulated bills from outings, notes from the fridge). The sheer realisation of how much waste we leave behind on an independent level.
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